
Certain things remain constant when it comes to St. Patrick's day. The weather will be as
predictable as a drunk squaring up for a fight with a barman wanting to avoid serving him. So, we thought, was the date, but it turned out that the church got into a tizzy because a feast day can't be in the same week as Easter. The confusion was remarkable. Paddy Power was taking bets as to when the parade was on. People were stocking up on tinned shamrock, just in case it never came and the fallout would mean the next Paddy's day might be after some kind of Bord
Failte/Vatican sponsored
Apocalypse: a haphazard, Mad Max-like Paddy's day, with renegade gangs attacking each other with
shillelaghs. As it happened, the
catastrophe I imagined was averted when I went to ask in the tourist office. I get a very definite "Monday. It's gonna be great", from a guy with an accent as mid-Atlantic as the Azores. I really wanted him to say "
Begorrah", just for good measure.
The big day just didn't feel
particularly special.
Everyone went home for tea, and the city was calm and clean. I didn't feel it particularly the day before either, when I was in the Irish Museum of Modern Art in
Kilmainham. This is a place where Dublin normally make sense to me, and I am reasonably at ease with my
Irishness. The Museum is housed in the Old Royal Hospital, which is a gorgeous, and a criminally neglected, part of Dublin's underrated heritage. It looks starkly like a French chateau, which is good,
because that's what it was styled as.
I walked through the entrance gate and walked around to the front of the Royal Hospital Building, which overlooks the
Liffey valley and stands as on of two
towering sentinels as you arrive on the
train into
Heuston Station below. Whereas the Wellington Obelisk, which stands on the other side of the valley is as imposing as it always was, I discovered that
Kilmainham, a more elegant, nuanced structure, has been cut off from the rest of the city by a new development of apartments and offices. My heart sank, because this was a new development by and Irish architect and an Irish contractor, and so it wasn't like you could say it came out of the mind of someone who hadn't a breeze about where it was being plonked.
If you can't knock it, hide it. And its a sorry fact that Dublin people never wanted the building to survive. To some it might be a relic of our colonial past. Others
probably don't know it exists and don't even care. In the 80's, they wanted to demolish it to make way for a bus depot. Well, that was then, and Ireland hadn't yet discovered the delights of prefabricated
KFCs. The Royal Hospital is just otherworldly, and from the ornamental gardens, you could look down river towards the city and feast your eyes on a view that probably hadn't changed much since the 18
th century. It would have to take an act of utter tastelessness to cut off the old building from the city. Maybe it's development, but it seems to be predicated on the notion that development comes at the price of beauty, which has its own, ethereal value. And the banks can't touch it.
Alone it stands, and thank God it does, if only you could get chicken
twizzlers in the cafe...